Daniel Afzal is an Iranian photographer whose work is rooted in historical photographic techniques where his subjects are transformed into poetic reflections of their original spirit.

Working with large format cameras and vintage lenses, Daniel creates images that carry a sense of quiet movement. His compositions often feature negative space and shallow depth of field, inviting the viewer into a contemplative visual experience. These elements allow the eye to wander, offering space for interpretation and emotional engagement.

Influenced by the ideals of Pictorialism, Daniel has let go of perfection in pursuit of deeper understanding. He seeks to see and feel his subjects, allowing his emotions to shape the image. Central to his practice is the wet plate collodion process, which he uses to create ambrotypes and glass negatives, a foundations for further exploration of alternative photographic methods.

At the heart of Daniel’s work is a search for beauty. The tactile, intimate nature of the wet plate collodion process aligns closely with his perspective, providing a medium through which he connects emotionally with his subjects.

The Journey

Daniel’s arrival at this stage of his career reflects both a personal and artistic evolution. Over time, he has become a photographer intent on discovering beauty as a kind of refuge, a quiet place shared between artist and subject. His images suggest a pursuit of kindness, simplicity, and emotional truth.

His exploration of historical processes stems from a personal need to express an internal voice that seeks a visual language. His thoughts and subjects live within the raw materials of these photographic processes.  Without this combination, the perception and emotions of the subject would not awaken.

The deliberate pace of historical techniques give life to the spirit of his subjects’ fragility, honesty, and endurance. The slow methodical approach gives breath to his voice.